When looking at the works produced
by Surrealist artist, I had a hard time finding something that draws me to the
images. Yes I find that surrealist art
was brilliant and still is to this day but I certainly would never attempt to
collect it. This thought brought me to
thinking about the collectors during the surrealist movement and asking myself
why would they choose surrealist art? Is it just because it was the “it” thing
to do or is there more meaning behind the art that collectors had a connection
with?
Peggy
Guggenheim was one of the most famous collectors of surrealist art. Her interest in it has made many of the
surrealist artists famous to this day. Peggy
was born into a wealthy family and when her father died she grew up having a
troubled childhood. She married her
first husband, Laurence Vail, who was a Dadaist himself he introduced Peggy to new
ways of thinking, which in return slowly sparked her interest in the movement. Vail had over the course of time, introduced
Peggy to various Dadaist groups, which introduced her to many new artists
including Marcel Duchamp. Dada was a leading factor that started surrealism and
Peggy’s taste also started to shift towards surrealism. Though Peggy was first drawn to more
historical art, she was able to collect modern art because it fit her
budget. Her knowledge of modern art was
minimal when she started to take an interest in it but because Vail was
involved in it and had brought her along to many social events, she did have
some experience. Peggy was interested
in modern artists that include Picasso, de Chirico, Chagall, Picabia, and
Duchamp.
Peggy’s
first purchase was a sculpture by Jean Arp titled Head and Shell; she was
guided by Marcel Duchamp. The connection
that she had made with Arp had brought her a connection to Kandinsky and
Bauer. Her connection to surrealism came
a bit later in her life. While she was with
one of her many lovers she was introduced to the founder of surrealism André
Breton. This being the start for her
love of surrealism it led to findings such as Jackson Pollock. She considered Jackson Pollock as one of her
most honorable achievements and started him off on a high career path.
Now that
there is a brief history on Peggy Guggenheim I would like to explore the
question of why she chose surrealist art.
Besides the fact that it was easier to collect because it did not cost
as much as collecting works by the Old Masters.
It was difficult at first to find one exact reason that stated Peggy’s
interest in the art world of surrealism but after reading through Charlotte
Gere and Marina Vaizey’s book Great Women
Collectors a couple reasons were uncovered.
When reading through the chapter on Peggy Guggenheim, Gere and Vaizey
wrote that Peggy “started to collect art so that she wouldn’t disappoint
artists whose works were shown in her galleries.” In other words she would buy at least one
painting from each artist displayed in her galleries so that those artists
would not be let down. Another reason
that came up was that she started collecting surrealist art because she felt
that she was “serving the future instead of the past” (Gere/Vaizey, 197). This really sparked my interest and was
exactly what I was looking for. After
reading that quote it made more sense why Peggy Guggenheim wanted to collect
surrealist work, to concentrate on these modern works meant producing the
future while focusing on previous pieces of art meant focusing on something
that would not and can not be changed.
Because of this outlook that Peggy had on modern art, including
surrealism, and the future, she helped artist such as Jackson Pollock and Max Ernst become
some of the most famous artist in the world.
1st Image: Peggy Guggenheim
2nd Image: Head and Shell, Jean Arp, 1933
3rd Image: The Antipope, Max Ernst, 1942
Gere, Charlotte, and Marina Vaizet. "Patrons and Collectors of Surrealism." Great Women Collectors.
London: Philip Wilson Limited, 1999. 191-97. Print.
Gill, Anton. Art Lover: A Biography of Peggy Guggenheim. New York: HarperCollins, 2002. Print.
I like the angle you chose for this post, rather than just talking about a collector you really analyzed the meaning behind it. Realistically, it seems that she felt more obliged to collect this art than enamored with it, but I would imagine she grew to love her pieces and eventually came to see a deeper meaning in them. While some surrealist art is over the top strange (and likely not something you'd like to have on display in your living room), I would imagine knowing the artists intimately would give you a different sense of the work alltogether. I would have liked to see a bit more discussion of the actual works she collected, or her favorites of her collection. I also wonder how "cheap" they were in relation to other classic pieces.. it's funny to think her "cheap" collection could have included works by Picasso and Ernst!
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